Future Shock Orchestra. A laboratory on instrument invention and augmentation
An interfaculty laboratory on instrument invention and augmentation developed collaboratively by the Royal Conservatoire Antwerp and the Design Faculty of the University of Antwerp
WYPYM – Were you a part of your mother?
A Feedback-Augmented Bass Clarinet developed with composer and sound researcher Claudio Panariello (Proceedings of the International Conference on New Interfaces for Musical Expression 2023)
Digital Tubes
A two-year research project (2022-2024) exploring clarinet digital preparation, hosted by the Royal Conservatoire Antwerp
Augmented Fabrication
Affiliated member of the Augmented fabrication Lab of the University of Antwerp
There will be no crud – Elephant Talk
performance project by Gabriele Rendina Cattani and Chiara Percivati
L’abisso intorno
by Lorenzo Troiani, for bass clarinet, lights and electronics
Totem
by Luca Valli, for prepared bass clarinet and electronics
Let me breathe
by Daniela Terranova, for bass clarinet and live electronics
Elephant Talk
a hybrid instrument built with Gabriele Rendina Cattani
Reduction as a means of expansion II.
Ayre, by Maria Teresa Treccozzi
Reduction as a means of expansion I.
Voix instrumentalisée, by Vinko Globokar
Prepared to sound inappropriate
Poética del mecanismo, by Diego Ramos Rodriguez
Bubbling bell
preparing a bass clarinet bell with water
Rattling clarinet
bass clarinet preparation with aluminium foil
Sounding lower
lengthening the bore to defamiliarize the sound
Northern Cities
Toolbox plays Matthew Shlomowitz
